Cufflink Windmill Yellow Green
SKU:
CL-GC-YG
SGD 115.00
SGD 115.00
per item
Bespoke Cufflinks
Based on Interaction Series of paintings
Material: Metal Alloy with Gunmetal Finish and Enamel with bespoke Box
Color/ Designs: Based on Interaction Series of Paintings
Size : 20X20mm
Based on Interaction Series of paintings
Material: Metal Alloy with Gunmetal Finish and Enamel with bespoke Box
Color/ Designs: Based on Interaction Series of Paintings
Size : 20X20mm
Inspiration Based on Interaction series of Paintings
The Tertiary Interaction:
“The Windmill” is a symbol of movement and harnessing of energy. A symbol of good fortune and well being, it takes on different forms and is seen across all cultures. In mathematics it represents a visual proof for Fermat's odd number of solutions for 4n+1 primes that go onto infinity.
Lakshmi’s main inspirations for this group of paintings was the ancient symbol of the mandala which represents the whole cosmos as well as our own place inside it. The word comes from Sanskrit and means encircled essence. It is there to tell us we are part of a cosmic universe, a way to apply balance and harmony to our world bridging the visible and invisible, physical and spiritual. What first strikes the viewer when seeing Lakshmi Mohanbabu’s work for the first time is the ultra modern look, clean lines, bright colours and powerful geometric shapes that appear three dimensional. Each painting is created in a single vivid colour and when viewing them as a whole it is like being at the centre of a huge colour wheel. Lakshmi has divided her work into four groups of three: The first set is based on the primary colours Red, Yellow and Blue. The eye of the viewer is pulled to the top and bottom corners by the coloured arrows and then back to the centre by arrows created by the negative shapes. Her second set of paintings are based on the form of a lotus blossom radiating outwards and inwards and the colours are produced by mixing the primary colours together to make Green, Orange and Purple. Her third set consists of six interactions that are based on the Windmill and the Dromenon. The Windmill represents Fermat's theorem seen as a symbol of the expanding Universe. It is a cross bent at ninety degrees giving the impression of a spiral moving both inwards and outwards, clockwise and anticlockwise. The Dromenon, represents the journey from the outer physical world to the inner sacred world and their relationship. The colours are created by mixing the secondary colours with primary colours. This creates a progression with the interactions of colour, complexity and theme.
Lakshmi has used graded colour and perspective to create a three dimensional appearance.
This is a multilayered expression, which, at first, impresses with its brightly coloured geometric images and yet as the viewer goes deeper he or she is drawn into the world of ancient cross cultural symbols going back thousands of years, emphasising our interconnected, universal spiritual heritage and common desire to create order from chaos.
The Tertiary Interaction:
“The Windmill” is a symbol of movement and harnessing of energy. A symbol of good fortune and well being, it takes on different forms and is seen across all cultures. In mathematics it represents a visual proof for Fermat's odd number of solutions for 4n+1 primes that go onto infinity.
Lakshmi’s main inspirations for this group of paintings was the ancient symbol of the mandala which represents the whole cosmos as well as our own place inside it. The word comes from Sanskrit and means encircled essence. It is there to tell us we are part of a cosmic universe, a way to apply balance and harmony to our world bridging the visible and invisible, physical and spiritual. What first strikes the viewer when seeing Lakshmi Mohanbabu’s work for the first time is the ultra modern look, clean lines, bright colours and powerful geometric shapes that appear three dimensional. Each painting is created in a single vivid colour and when viewing them as a whole it is like being at the centre of a huge colour wheel. Lakshmi has divided her work into four groups of three: The first set is based on the primary colours Red, Yellow and Blue. The eye of the viewer is pulled to the top and bottom corners by the coloured arrows and then back to the centre by arrows created by the negative shapes. Her second set of paintings are based on the form of a lotus blossom radiating outwards and inwards and the colours are produced by mixing the primary colours together to make Green, Orange and Purple. Her third set consists of six interactions that are based on the Windmill and the Dromenon. The Windmill represents Fermat's theorem seen as a symbol of the expanding Universe. It is a cross bent at ninety degrees giving the impression of a spiral moving both inwards and outwards, clockwise and anticlockwise. The Dromenon, represents the journey from the outer physical world to the inner sacred world and their relationship. The colours are created by mixing the secondary colours with primary colours. This creates a progression with the interactions of colour, complexity and theme.
Lakshmi has used graded colour and perspective to create a three dimensional appearance.
This is a multilayered expression, which, at first, impresses with its brightly coloured geometric images and yet as the viewer goes deeper he or she is drawn into the world of ancient cross cultural symbols going back thousands of years, emphasising our interconnected, universal spiritual heritage and common desire to create order from chaos.